女孩阮清恬（冯芷墨 饰）有着十分悲惨的身世，自幼失去了母亲的她过着寄人篱下的生活，继母将她派往名为任浩铭（刘泯延 饰）的总裁身边，成为了照顾他衣食起居的小小助理。任浩铭因为患有眼疾而失去了视力，性格因此格外的暴躁，常常欺负懦弱胆小的阮清恬，在他的手下做事，阮清恬受了不少的气。　　然而，随着时间的推移，阮清恬的善良和乐观渐渐化解了任浩铭内心的坚冰，两人相爱了。最终，任浩民接受了眼部手术，重见光明，然而，当她想向阮清恬求婚时，却被阮清恬心机深重的妹妹阮心心（金泊含 饰）捷足先登。不仅如此，任浩铭还将真正的阮清恬误认为是想要插足的第三者。

　　武天祥化名mark，成为举世瞩目的画家。被协助承办画展的上官冰儿一见钟情。可武天祥却冷漠淡然，直到认识了上官冰儿的姐姐上官雪儿，武天祥心里竟说不出的惊讶。原来武天祥与上官雪儿原是恋人，而上官雪儿却在回国的途中遭遇车祸，醒来后全然忘记了武天祥。武天祥曾经苦苦寻找过上官雪儿，却被上官冰儿误以为武天祥是造成姐姐车祸的罪魁祸首，根本不让武天祥靠近。武天祥不知内情，只当雪儿变了心，要跟元昊在一起。武天祥和雪儿究竟能否再续前缘呢……

因丢失尸体和爱人，罗伯特（Daktari Lorenz 饰）在绝望中以极其惨烈的方式自杀身亡。然而他的尸体并未因此得到宁静，仿佛命中注定一般，才被葬入黄土不久的罗伯特又被妙龄女郎莫妮卡（Monika M. 饰）挖了出来。莫妮卡和罗伯特一样，对死尸有着深深的迷恋，她和死去的罗伯特仿佛爱人似的生活在一起。　　某晚，莫妮卡在电影院门口邂逅马克（Mark Reeder 饰），两人随即开始交往。看似浪漫的爱情虽然让莫妮卡一度想要改掉怪异的爱好，但她仍然无法接受爱情的索然无味。直到某天，马克发现了女友的秘密，他们的关系开始朝着不可预测的方向发展……

　　A Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.

　　一个巨大的陨石进入地球轨道并开始逐渐瓦解，它的碎片像淋浴一样洒向地球。　　In this End Times thriller, a gigantic meteors enters Earth's orbit and begins to disintegrate, showering the entire planet with debris..

　　二战期间，一个连环杀手如鬼影般笼罩着德国汉堡，虽然罪行累累，警方却两年来拿他束手无策。一位警探决心重新调查这桩棘手的案件，SS起初还支持他的工作，不日就把这个案子又压了下来，而随后，他企图阻止一起明显不公的审判，拒绝执行命令并因此受到上级处罚，被送往前线。

　　一个四口之家搬进一座政府廉价处理的老房子里之后，揭开了一段隐藏在房子背后的秘密。

　　一個家庭搬到寧靜又與世隔絕的新家。這棟看起來還不錯的新房，卻籠罩一些不祥的跡象。妻子（徐令姬飾演）在遷入的第一天晚上，就開始飽受噩夢折磨，並對倉庫裡傳來的怪聲感到心神不寧，不過她的丈夫（金珉才飾）卻對此無動於衷，孩子們也在父母的矛盾中變得焦慮不安。隨著這家人的噩夢愈來愈嚴重，他們開始無法分辨幻想與現實，更將面對深埋在這棟房子裡的驚駭秘密…。

　　A young couple take their first foreign holiday together. Yet, behind the couple's happy smiles lies a hidden desire. They turn to a mysterious local woman for help, but the truth of the situation is more destructive than they feared.

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb:　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 10/10　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

　　电影《荷尔德林的陶》（Hlderlin’s Pottery）是一部65分钟的中国电影 ，由90后导演王子元执导 。影片的场景限定在一所空房间里 ，全片仅运用28个镜头拍摄完成。《荷尔德林的陶》以三个彼此生活紧密交织的男女为轴，尝试碰触爱与欲望的底线。　　影片简介：　　荷尔德林（1770～1843)德国著名抒情诗人，古典浪漫派诗歌先驱，德国文坛当时最高尚，最优雅的灵魂之一。1770年3月20日生于内卡河畔的劳芬，两岁失去了生父，九岁失去了继父。早年在登肯多夫修道院学习。1788年起在图宾根神学院学神学。1793年起在法国的波尔多等地当家庭教师并参加了反抗土耳其的战争。1802年，当荷尔德林得知挚爱一生的女人狄奥提玛不幸死去的讯息后身心交瘁，处于精神分裂状态，遂从大西洋海岸的法国西部城市波尔多出发，徒步穿越了草原、森林、大海，穿越了整个法国后回到了故乡德国。1807年起，荷尔德林在图宾根的一所幽暗孤寂的古堡顶端神智混乱的独自生活了36个年头，留下了诗稿《塔楼之诗》后，于1843年逝世。诗人死后几乎被遗忘了近一百年，直到20世纪中叶，才在德国被重新发现，并在欧洲建立了声誉。代表作有《自由颂》、《漫游者》、《返回家乡》、《给大地母亲》、《怀念》等。影片《荷尔德林的陶》根据这段历史，讲述了中年女摄影师陈琳，助理芳芳及男模特小山的一段缠绵悱恻的情感故事。　　中年女摄影师陈琳在她的摄影工作室居住了近十年。十年间她从未离开过工作室，一边工作一边写作。十年的时光里只有年轻的化妆助理芳芳一直陪伴在陈琳身边，跟她居住在这间摄影工作室里，并悉心照顾着陈琳。不久，芳芳喜欢上了男模特小山， 很快便怀有了小山的孩子。当芳芳决定离开陈琳的时候，陈琳终于找到了行走在路上的荷尔德林。

　　《Mizo》描述一位从出生就被亲生父母丢在垃圾桶的小女孩Mizo，跟着继父母一起在不正常的家庭环境下长大，某天她决定带着被遗弃时包裹着自己的一件染血的T恤，去寻找亲生父母…另一方面，自己的女儿一出生，就将她抛弃的前任刑事警察雨尚(暂译)，抛弃女儿后，彷佛自己也像个垃圾般，过着行尸走肉的日子；就这样两个寂寞的人遇见了彼此。